A Comparative Study of Simon de Buvar’s,Virginia Woolf’s and Simin
Daneshvar’s Views on Story Work
parvin
tajbakhsh
عضوهیات علمی دانشگاه پیام نور
author
simin
farzad
دبیر آموزش و پرورش
author
text
article
2014
per
Comparative literature is an area of literary research in which the works of two or more than two writers from different languages and nationalities are compared with one another.In this study, the story works by three writers: ‘Virginia Woolf’, ‘Simon de Buvar’ and ‘Simin Daneshvar’ have been investigated from the feministic literature and the schools of thought points of view that affected their thinking. The survey and analysis of their works indicated that the sharing point between feministic literature and the schools of thought lies in the attempt to revive women’s rights and to introduce their innocence as well as their identity and position in a patriarchal (man-ruled) system regarding the sort of approach to human and life. Simin Daneshvar, adopting an Iranian-Islamic thought under the shade of religious-ethical values, considers identical rights to men and women; Daneshvar respects both male’s and female’s place/position and believes that woman goes to perfection beside man; however, Simon de Buvar, adopting a secularistic (existentialistic) view, believes that women’s natural characteristics such as family, marriage, and motherhood are, in fact, obstacles to their progression. Finally, Virginia Woolf recommends that women gain economic independence and try to have alike benefits (advantages) with men.
Literary and rhetorical research
Payam Nour University
2322-3979
2
v.
2
no.
2014
9
29
https://pab.journals.pnu.ac.ir/article_1497_89758ee8cb695d901f8c6c6292bd552b.pdf
A Study about Saghi Name, Khamriat and Dithy ramb
Mahmoud
Kamali
رییس دانشگاه پیام نور آباده
author
text
article
2014
per
Abstract Saghiname is a kind of poem which poet describes his idea by using wine concepts. Many poets have noticed to this kind of literature.In this research, this kind of poem is studied from different dimensions and tried to present a general view of it from start point until today. Since concepts of wine and saghi have a direct connection with Saghiname, these concepts are studied too and finally, conclude that there is differences between Khamriat and Saghiname and their features are shown. also, we study similar poems in some other country.Some poems are in the west literature those similar to saghi name and are called: Dithy ramb. Some poets have noticed to this kind of poem. These poets are called: anacreonic poets. We have tried to bring some of these verse here and introduce the origin of these poems in the west literatureKeywords: Wine, Saghi, Saghiname, Khamriat, Dithy ramb
Literary and rhetorical research
Payam Nour University
2322-3979
2
v.
2
no.
2014
30
41
https://pab.journals.pnu.ac.ir/article_1382_390bca44e947c584a4f09f782df1b61a.pdf
The Effect of Sultan Literature on the Beloved Description in the Lyric Literature of Iraqi Style (relying on Hafiz’s Ghazal)
raheleh
abdolahzadeh borzoo
مدرس مدعو آموزشکده عالی سما شیروان و مسوول کارگزینی واحد شیروان
author
mohammad
reihani
عضو هیأت علمی
author
text
article
2014
per
The subject of this study is the Effect of Sultan Literature on the Beloved’ Work in the Lyric Literature of Iraqi Style, relying on Hafiz’s Ghazal. Over the years the king’s speech and behavior were a behavioral pattern for many people. In Iraqi style, the poets replaced their earth beloved to the king, because of the reduction of their kings’ acceptability. In order to describe an admirable glory for her, they exalted him and represent him as a high ideal being in their dream, and by royal praise. The king’s work, the army and court customs inspired them to praise the beloved and pictured her as a king that the court custom was done for her. Based on it, her each body organs was described as each war tools. The poets used them for the beloved in a new way and by the semantic changes. By this, the violence and ugliness of that were vanished. Now it was fit with the beloved’s gentle mood, and became the speech and the behavior that the lover was waiting for that impatiently.
Literary and rhetorical research
Payam Nour University
2322-3979
2
v.
2
no.
2014
42
56
https://pab.journals.pnu.ac.ir/article_1383_2a5456fdb20bb31703e5f7d1138f4896.pdf
Survey on the Nostalgic Concepts Of Siyavash Kasrai’s Poems
mohamad ali
khazaneh darloo
guilan university
author
razieh
khoshzamir
guilan univercity
author
text
article
2014
per
Abstract:The word “Nostalgia”, in Persian literature described as `Homesick`, commonly means the sense of regret and the excess longing for going back to the lost periods and situations which are not available at present time. Totally, social and Political situations and the Conditions of human’s life effectively affect on the nostalgic senses to emerge . However, this concept is recently introduced to various fields of arts and science , it is not a newfangled phenomenon. Based on Oxford dictionary , the term Nostalgia means a sense of regret to something that is passed and to the past. In this review , we have focused on siyavash kasrai’s poems and tried to express various types of nostalgia in his works by an analytic-descriptive method and hereby identify the kind of unbearable grief in his thoughts and then its efficacious factors would be demonstrated. The most important achievement of this research identified various factors influential poet in though muted evaluate the amount of its reflection in poems for understand better with some rhetorical declamation poems.
Literary and rhetorical research
Payam Nour University
2322-3979
2
v.
2
no.
2014
57
75
https://pab.journals.pnu.ac.ir/article_1384_59801e4c23b629d7703802cb93068242.pdf
Theme-Creation and Visualization through Geographic Signs in Hooshang Ebtehaj’s poetry (Sayeh)
موسی
پرنیان
دانشگاه رازی
author
سهیل
فتاحی
دانشگاه رازی
author
text
article
2014
per
Poets always create beautiful poetic images in different ways or create various themes by different methods. One of the ways for creating poetic images and themes is to benefit from geographic signs. This study, by providing a certain definition of image and theme, aims to identify the geographic signs in Sayeh’s poetry and to show the frequency of these signs. This study analyzes - descriptive presentation and statistical tables have been performed The findings show that Sayeh in his sonnets out of 1083 verses has created themes 91 times which include 79 cases of general names and 12 cases of proper names. In creating poetic images, Sayeh has visualized 137times by geographic signs throughout which he has taken advantage of all expressive techniques among which simile and metaphor have been used most frequently. Sayeh in his poetry has benefited much from those signs which were found at his home and living environment.
Literary and rhetorical research
Payam Nour University
2322-3979
2
v.
2
no.
2014
76
86
https://pab.journals.pnu.ac.ir/article_1385_abd45e51522f834499f7a7186d338c0a.pdf
Conjunctions function of conversion in composites JmlhHay Hafez
Review
خدابخش
اسداللهی
عضو هیئت علمی و مدیر گروه زبان و ادبیات فارسی دانشگاه محقق اردبیلی
author
text
article
2014
per
Conjunctions function of conversion in composites JmlhHay Hafez Review This study, the performance transform conjunctions JmlhHay is composed of Hafez. To do this, after a preliminary discussion on the definition and conversion of JmlhY TqsymBndy of conjunctions in compound conjunctions conversion to become four kinds of interpretation ranging from the original source, source of imitation, the main character and costume as discussed been. His poems at the scientific, philosophical and mystical and figurative meanings of words and AradhY numerous secondary and transport properties such as DrvnGrayy, ShqGrayy, Ghyrryalysty JmlhHayy often complex, sophisticated abstract and require stems. In the meantime, Conjunctions BhSzayy role in VabsthSazy JmlhVarhHay conversion pursuant to the foundation, or VabsthSazy JmlhVarhHay other followers JmlhVarhHay pursuant to play nicely.... This TavylHa on FlHay conversion occurred after conjunctions and become singular and the baseline has been involved with have been accompanied by ample evidence from Hafez. Conjunctions function of conversion in the Divan of Hafez, JmlhVarhHay become a follower of the singular and defining roles and sub NHa than Frakrd JmlhHay base compound.
Literary and rhetorical research
Payam Nour University
2322-3979
2
v.
2
no.
2014
87
100
https://pab.journals.pnu.ac.ir/article_1386_4ba873d1c228905f7a6e9838160a77eb.pdf
Research on the terms Bajgah and Tayyar in lyrics Khaghani
bahare
fazli darzi
ندارم
author
text
article
2014
per
Research on the terms Bajgah and Tayyar in lyrics KhaghaniAbstract:Khaghani, a famous poet of the sixth century, In his poetry, the ode and Piece, The term is applied to a Tayyar and Bajgah together. In the present study, While explaining the term of these words, It will examine the evolution to Khaghani time in addition it is stabled the meaning of these words and The result is given Tayyar also means scale, it is called speed-ship that was kept in a place it siad station. Bajgah term is connected with taxation, Those Special see taxes that would have gotten ships in some places Tigris, that is called Ma'asir.In addition, Khaghani in his piece has satirizes sailors when he went to see one of them Bajgah. He had said about them whom considered cowardly. According to historical evidence, and since his arrival in Baghdad, he has criticized the situation in Baghdad, In particular chivalrous.
Literary and rhetorical research
Payam Nour University
2322-3979
2
v.
2
no.
2014
101
112
https://pab.journals.pnu.ac.ir/article_1387_ef738cd6e4baca607e386e6832fcdaaf.pdf
Narrative allegory and its different types in Persian Literature
mahbubeh
abdollahi
university pnu tabriz
author
text
article
2014
per
Narrative allegory and its different types in Persian LiteratureAbstractAllegory is one of the most important literary type owning a prominent position in Persian Literature. Proverb, example and allegory are often interchangeably used in Persian Literature following Arabic language, and neither of them has its own separate and special name. So they face with a special complexity and entanglement. Regarding the structure, in Persian Literature, allegory can be divided into two parts: descriptive allegory (short parable) which contains only one or two sentences and includes simile metaphor, equation of techniques, proverbs, allegoric metaphor, which have not been discussed in this article, and narrative allegory (broad allegory) which looks much like a story and this case, allegory has been mentioned in the form of a story. This study aims to examine the existing differences and similarities by reviewing a variety of narrative allegory.Key words: narrative allegory , Fable, parable, allegory.
Literary and rhetorical research
Payam Nour University
2322-3979
2
v.
2
no.
2014
113
129
https://pab.journals.pnu.ac.ir/article_1505_0fadb50f043c36cf2a255b6b005a9367.pdf