Archetype of Persephone and Hera in the stories of "Anis" and "Story of the Alley"
Maryam
Heidari
faculty member of Payam e noor University
author
text
article
2018
per
Myths have a close link with different sciences, especially psychology. A linkage that goes beyond the naming of diseases and is a fully functional aspect for the study of society, thoughts, beliefs, and even political relationships. Shinoda Boolen, a follower of Jung's school, uses the concept of "archetype" as a typographical plan based on the Greek myths, according to which women fall into three groups of behavior: a maiden, a vulnerable, and Charmer. The first group expresses independence and self-respect; the second group representing the traditional roles of the wife, mother and daughter; and in the third group, the goddess of love and beauty is located, which in the direction of self-esteem and autonomy of the goddesses of the first group; and, on the other hand, the third group's relationship. In this paper, based on this classification, two short stories of Simin Daneshvar's works, Anis and Story of the Alley, which featured "Ancient Marriage archetype"(Hera), and "Anima Woman"(Persophone), have been dramatically analyzed. The points of sharing of these two archetypes are relationship and sympathy. In this study, the psychological and social causes of the confirmation and highlighting of these characteristics and their effects are examined.
Literary and rhetorical research
Payam Nour University
2322-3979
6
v.
4
no.
2018
11
30
https://pab.journals.pnu.ac.ir/article_5814_454db39d903cb7a76445403d398d99c6.pdf
dx.doi.org/10.30473/pab.2019.39644.1621
Qur'anic intertextuality in the poems of Hamid Sabzevari and Shemilah Qasem
التناص القرآنی فی اشعار حمید سبزواری و سمیح القاسم
fariba
ganbari galledar
Khoramabad university
author
hamidreza
zohreei
Assistant Professor of Islamic Azad University
Khoram Abad Unit
author
text
article
2018
per
Qur'anic intertextuality inthepoems ofHamid Sabzevari and Samih al-QasimAbstractThe sensibilityof the Qur'an,which is God’sterms,is aprofound and widespread subject in Persian and Arabic literature.Samih al-Qasim and Hamid Sabzevari inspired the Holy Quran in their poems.The present study is aimed to investigate the Qur'anic intertextuality in the poems of these two poets.This library-based study was performed by investigating the poems of the two poets.At first,the theoretical foundations of the research were designed and based on which the poems of the two poets were extracted and the necessary analysiswasperformed.Theresults showed that Sabzevari often used Holy Quran by translation, a resuitingand this method was mainly based oncreating the content or confirmation and emphasis as well as indicating further awareness andsensibility, and his inspiration by the Qur'an is more in comparisonwithSamih al-Qasim.In contrast, Samih al-Qasim used less holy Qur'anic verses than Hamid Sabzevari;however, this sensibilityis intermixed in his mind and soul,causing more"solved"sensibilityin him. Solvedsensibilityis one of those that are very invisible andinconspicuousin appearance;however, with a narrow view, one can understandhis profound sensibilityof the Holy Quran;Therefore,two poets have been inspired by the Qur'anic verses; although Sabzevarie'ssensibility is more hidden and mixed than SamihulQasim's.Thus, the creativity of Sabzevari in using God’s Words is less than that of Samih al-Qasimwith powerfulcreativity.Samih al-Qasim,in his sensibility,has overwhelmed and greatly reduced the adoption rate to minimal and in some cases to zerosince the Samih al-Qasim’s sensibilityis accompanied by recitativeand exquisite beauties as the best type of intertextuality called motivational intertextuality.Keywords: Quran,Persian and Arabic Poetry,Intertextuality,Motivational Intertextuality,Hidden sensibility, Samih al-Qasim,and Sabzevari.
Literary and rhetorical research
Payam Nour University
2322-3979
6
v.
4
no.
2018
31
46
https://pab.journals.pnu.ac.ir/article_6102_94a1f3178a24fd14bdec4e414171f7bf.pdf
dx.doi.org/10.30473/pab.2019.42788.1647
Analysis of fictional elements in Hamkhoone novel
Elaheh
Vafa
کارشناس ارشد زبان و ادبیات فارسی
author
MohammadJavad
Erfani Beyzaei
عضو هیأت علمی
author
text
article
2018
per
Maryam Riyahi is one of current writers whose literaty and art life has been started by hamkhooneh novel since 1385. This novel is new and special in plot story and theme. After that other writers used the same themes. The story writing style represents womanish feelings which is successful in stimulating of sincerity sense and twin-concept. As for the writer’s collegiate subject which is literature, the writer has tried to act carefully in making Yelda’s personality who had been student of literature in the story. Collegiate space, class and the poems which has been crooned in the story as for the theme, expressing her exact awareness about literature and also recognithion of literature college situation. Compounding the amative theme with histrionics and literal create space makes the story so considerable. In fact we can count this novel as an introduction in her writing process. After studying and researching about all the elements of fiction I found that in addition to using new subject, the writer has truly kept the sense of uncertainty and expectancy which has an important role in making grace and twin-concept. Unlike phenomenal stories which try to make grace by using continuous events, she has tried to make the reader and the narrator go along with each other up to the end of the story with logical communication between the events of story. Keywords: fiction literature, elements of fiction, novel, hamkhooneh, Maryam Riyahi
Literary and rhetorical research
Payam Nour University
2322-3979
6
v.
4
no.
2018
47
64
https://pab.journals.pnu.ac.ir/article_5815_93dce798526514bca66b1801abecf4cb.pdf
dx.doi.org/10.30473/pab.2019.46494.1670
The intellectual pivots of Forough's poetry Linked to Literary Features
parvaneh
delavar
azad university of nowshahr
author
shahram
ahmadi
university of mazandaran
author
text
article
2018
per
Foroogh Farrokh Zad (1934 - 1966 AD.) is one of the prominent and style - owner figures of the new poem of the day and perhaps of all periods of Farsi poem, and we can see the developmental trend of today's poem ranging from the old neo Romanticism to social Realism and Symbolism is heading for supreme essence in her poem. Foroogh's special place in Persian litrature is primitivly because of the special feminine voice that is heard of her poem. Her deep Perception poetical comes from a new vision and causes another birth in Contemporary poem. Her personal style with a feminine and profound perspective look and vision integrates life and poetry and is an indication of her great unity with nature and her sensational speech reverberation.The poem coordinates includes human and social contents in message territory and proportion and harmony between form maker elements (literariness and poem language) in form territory. The structure is agreement and covenant of form and meaning or interpretation and content. In this investigation, it is documentally approachedd to extract thought frequentative matters, Poet's thought foundations are analyzed and connection lines of them are high lighted by some of stylistical elements.The main pivots of thought in her poems (i.e. death, human, women, confusion and modernity) led to a special speech and manner.
Literary and rhetorical research
Payam Nour University
2322-3979
6
v.
4
no.
2018
65
84
https://pab.journals.pnu.ac.ir/article_5864_1644995dc5449dac49d3f56845807d91.pdf
dx.doi.org/10.30473/pab.2019.46333.1668
Survey of unverbal comunication in characterization of PEDAR story
saideh
safari kang
Payam Noor university, Mashhad, Iran
author
nosrat
naseri mashhadi
Academic personnel, Payam Noor Uni, Mashhad, Iran
author
text
article
2018
per
in art of story writing character has been introduced as one of the most basis elements of story. writers use direct and indirect methods in order to create story characters, that actions in sub category of indirect characterization, also includes unverbal behaviors.Goli Taraghi is one of the first women of the storyteller in Iran, who was able to establish her own style in the field of works based on a strong personalization and the appearance of their mentalities and their internalities.In this article, how to characterize the person by connecting the characters of the story using non-verbal behaviors that involves voluntary and non-verbal behaviors, based on the story of the father of the flower of the progression, has been studied and carefully considered. This study has shown that three different types of communication - flow, process, and transaction processing - can be distinguished through non-verbal behaviors among story characters that have played a significant role in the creation of characters, revealing their mood and emotions. In addition, non-verbal behaviors have a significant contribution to explaining the type of relationship between the characters and their relationship with the audience.
Literary and rhetorical research
Payam Nour University
2322-3979
6
v.
4
no.
2018
85
98
https://pab.journals.pnu.ac.ir/article_6009_33390cfdbe18d61a81b78b8869a5418b.pdf
dx.doi.org/10.30473/pab.2019.46761.1677
. Present research investigates the term “rogue’s” meaning changes in the works of mystic poetssuch as Sanā'ī, Attar, Khwaju Kermani, Sa’adi and Hafez.
mohammad reza
bakhtiary
pnu. urmia.ac.ir
author
text
article
2018
per
rogue is among words that in theosophical literature has a lot of usage, as yet a lot of writters and poets, had probed in this field. This word among theosophist poets had a different usage. Sometimes have been used in negative and sometimes in positive way. rogue means "amative" is the opposite of asceticism and devout and name, disillusionment and disgust, shrewd, uninhibited slovenly used among poems of poets. The aim of this issue is showing the usage of rogue, among eminent poems, like: Sadi, Hafez, Attar, Sanaei, Khajoye kermani and check the metamorphosis means of rogue in theosophical literature. By studing of poems and theosophists books, we can note the deepness of metamorphosis and semantic diffrences of "rogue" word from poets point of view. Without doubt with comparision of different semantic meaning o The aim of this research is to show the use of the term “rogue” among great poets like Sanā'ī,Attar, Khwaju Kermani, Sa’adi and Hafez, and to investigate the conceptual change of the termin mystical literature. According to the present article the term had a positive load in the secondperiod in Persian texts and introduced the characteristics of a perfect human with attributes ofloving, moaning and piety. In Sa’adi’s Golestan and Boostan “rogue” has a negative face, buttakes a positive face in Ghazaliat. Attar considers the rogue holy and bibulous. In the third periodrogue has a negative concept. After Hafez, it was attributed to opportunist, cunning and deceitfulone.
Literary and rhetorical research
Payam Nour University
2322-3979
6
v.
4
no.
2018
99
115
https://pab.journals.pnu.ac.ir/article_6041_6b9397bce38abb6047155d7d5c036b6f.pdf
dx.doi.org/10.30473/pab.2019.21208.1377