A New Approach to Rhetoric and Expansion of the Word, a Characteristic of Rumi's Stylistics in Mystical Tales of the three Book

Document Type : Applied Research

Authors

1 PhD student in Persian Language and Literature, Islamic Azad University, Bushehr Branch, Bushehr Branch, Islamic Azad University, Bushehr, Iran

2 Assistant Professor, Department of Persian Language and Literature, Bushehr Branch, Islamic Azad University, Bushehr, Iran

Abstract

In addition to brevity and equality, etiquette is one of the three methods of expression that has been discussed in semantics. As we know, this method of expression has two types of art and melody. Artistic rhetoric, unlike national rhetoric, which reduces the value of literary work, is in fact one of the most important and effective rhetoric techniques through which poets give literary and poetic effects to their works. Rhetoric, like other rhetorical tricks, has an implicit meaning. The main point of the article is that despite what is stated in the books of meanings, the "implicit meaning of the word" is different from the "methods of the word" and what makes the word beautiful and effective on the reader is not the way of expressing it; Rather, it has an implicit meaning. The author, who believes that the principles of semantics should be inferred from the masterpieces of literature, to explain this issue, has studied its style and implicit meaning in the third book of Masnavi using a descriptive-analytical method and has come to the conclusion that all cases Atanab in this book have an implicit meaning and this implicit meaning, which is the reason for the artistic nature of Rumi's Atnab, has been very effective in influencing the stories of Masnavi, and the frequency of this rhetorical technique is such that it is one of Rumi's stylistic features in Masnavi.

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